Monday, June 22, 2015

Meet Carolyn Cline, Tour pianist and organist

Carolyn at the organ in the new Catholic Cathedral in Leipzig 
before our last concert. 

One thing that hit many of us after meeting Carolyn Cline, the tour's pianist and organist:  we felt like we'd known her for a long time!  What a comfortable presence she was, not mention what a marvelous musician.

Carolyn and her husband Eldie joined the tour after Mike proposed they hop on board, even though they would have to leave their two children, 7 and 3, behind with Grandma.  Those logistics taken care of,  Carolyn was soon with us for a few rehearsals and the concert in Littleton before heading to Europe as our keyboard player for piano and organ.

Carolyn (and Eldie) grew up in Alliance, Nebraska, where she started playing piano at 5 years old.  "I wanted to be like my older brother who was taking piano lessons at that time," she said.  Carolyn  then studied with a local elementary school music teacher who was also the church organist.  After high school, Carolyn majored in Piano Performance at the University of Wyoming. After graduating she was hired to accompany the vocal department at the University.  She now teaches private piano lessons and plays organ and piano at Arvada United Methodist Church while being a mom to Henry, 7, and Lisa, 3. Family pride shows and Eldie was quick to tell us several times what a wonderful pianist Carolyn is beyond what we were hearing!

"I loved the tour," Carolyn said.  "I loved being able to make music with like-minded people.

"Our first performance of The Ground reminded me why I love to accompany choirs.  It brought me to tears.  There were so many musical moments that fed me artistically, and playing with the quartet was such fun.  I sometimes forget how powerful and transformative music can be."

The tour also gave this busy woman a break from the day-to-day along with precious time to spend just wandering the streets in the old cities with Eldie.  Krakow was their favorite.

When asked how Mike found her, she goes back to her days at the U of Wyoming when she was the vocal department's accompanist.

"I was hired just before Mike arrived for the fall semester.  He didn't find me, he was stuck with me!  We've been good friends ever since.  I am so grateful to have worked with him over the years."

Carolyn and Eldie Cline at the farewell dinner after our final concert in Leipzig.

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Adornamento String Quartett

The Adornamento Quartett,  from left: Charlotte Tauber, Natalia Helbig, Filip Kowalski and Alexander Kress. With great affection (and advanced age), we called them "the kids," though their talents are anything but kid-like! 

Four musical artists joined the Chorale to provide the strings accompaniment to five works that we performed:  Jesu meine Freude by Felix Mendelssohn; The Ground and Luminous Night of the Soul by Ola Gjeilo; Five Hebrew Love Songs by Eric Whitacre; and In Virtute Tua by Grzegorz Gorczycki. We didn't meet or rehearse with this quartet until our first morning in Warsaw when we immediately knew (goosebumps!) we were performing with true artists and professionals who were going to make us look really good! Oh, what rapturous music they create together!

We grew very fond of these young musicians, and were in awe of their talents and performance skills that they produced with grace, charm and focus.  They were delightful co-travelers, they laughed at our jokes, smiled readily, and taught us much about their countries and why they love what they do.  How lucky we were to have shared this tour with them. They are assured that if they want to visit Colorado, there are 50-plus homes ready to welcome them!

From Mike:
When we arrived at our hotel in Warsaw, we got the opportunity to meet our string quartet for the tour and rehearse with them.   These young players were amazing!  Each played with gorgeous tone quality and our singers immediately welcomed them into our family as their "adoptive children".  I'm sure the members of the quartet did not plan on receiving so much personal attention from the singers with whom they'd be working.  At the conclusion of the tour, everyone wanted pictures with the quartet and I know that email addresses and plans for future meetings were exchanged.

 
Meet...

Charlotte Tauber
Charlotte Tauber, violinist, put this group together after being contacted by Maury (Tour Resource Consultants).  She claims it was easy choosing the members since they were all friends from their days studying Music and performing in Leipzig.

Charlotte was born in Cologne and lived in Bavaria for some years. She will be  celebrating her  10-year-Leipzig-anniversary this year and says that Leipzig truly is her home.  She received her first violin at age three when her godfather gave her a tiny violin "so it was kind of settled then" (that the violin would be her instrument), but she was too young to play at that time.  Three years later,  at six, she was ready to play.  "Though I had already outgrown the tiny violin, I still kept it."

As a child, Charlotte studied privately and at several music schools until she began her studies at the Hochschule für Musik und Theater Felix Mendelssohn Bartholdy in Leipzig.  (This school is not only named after Mendelssohn, he was also the first director of the school)Charlotte is still a student at the school,  studying musicology and violin. She has studied baroque violin and also plays  in multiple different orchestras and chamber music groups in and around Leipzig. 

"I loved spending time with the Larimer Chorale and Voices West," said Charlotte.  "Everybody was so kind and attentive and it was such a pleasure to be with you all! I already knew Wrocław, Leipzig and Dresden but Kraków was a real delight for me. I would have never imagined that it would be that beautiful although Natalia told me before. I'm definitely coming back! And I found the Wieliczka Salt Mines very impressive."


Filip Kowalski, viola, who grew up in Poland, began playing violin at 6 years old.  He picked up viola when he was 16 and, at 18, graduated from his music school in Gdansk with two diplomas: one for violin performance and one for viola.  His lessons up until that point were all through his school. He then came to Leipzig for further music education at the Felix Mendelssohn School for Music and Theater, graduating in 2008.  After returning home for two years, Filip became a member of the Borusan Istanbul Philharmonic Orchestra, an impressive (though not surprising!) achievement and he now calls Istanbul home.  How lucky we were for him to take the time to return to his home country of Poland and to Leipzig to accompany us!  Filip also translated Mike's greetings to the Polish audiences, they so happy to know that two members of the quartet (Natalia, also) were from their homeland.

When asked about his experience with the Chorale tour, he broke into his gorgeous smile and said "Super!"  It was the first time he had spent time with Americans, and I guess we did well since he was very positive about it all.  His favorite part of the concerts was performing the Five Hebrew Love Songs by Eric Whitacre.  "I liked the use of Hebrew and the modern harmonic structures.  It gave respect to the old times."

Though we've all extended invitations to these marvelous people, perhaps some of us should consider traveling to Istanbul in the future and hear the Borusan Orchestra which was discerning enough to accept this excellent musician and wonderful human being!






Natalia Helbig, violinist, was born in Poland to Polish parents, but she was raised in Germany. She began playing the violin at the age of 6.

"My mom is a pianist and she was convinced that I would like to play piano, too, because that is what mommy is playing," Natalia recalls.
"Someone in the music school asked me which instrument I would like to play (my mom was there with me), violin or piano.  I answered straight away: violin. I will never forget how surprised my mom was! I had to learn the piano for my Bachelor degree, so I play the piano too, but believe me, it was the way better decision to play the violin..."


Natalia began her musical education at the JS Bach Music School in Leipzig. "I had a wonderful teacher (Mrs. Sieglinde Fenner) there, for 10 years, and it was probably the most important part and time for beginning my musical development," she said.

Both of Natalia's parents are musicians, so she was raised in a very musical environment.  But there were other experiences that sealed her resolve to study music. At the young age of 8 she performed chamber music in a little string quartet, then moved on to small string orchestras and the youth symphony orchestra.  "Those are all experiences which are priceless and made me passionate about music  -- so I decided to study it."

When she was sixteen, Natalia met Professor Carolin Widmann from the Hochschule für Musik und Theater Felix Mendelssohn Bartholdy, Leipzig and entered the "youth class" for two years. After completing her A-levels, she continued studying with the same Professor until last year when she completed her Bachelor degree.

"I've had just two teachers, but very good, very inspirational ones," Natalia said. " I feel very blessed, because it is not always the case. My parents were and still are very important for my musical education, because they, too, are musicians."

Natalia is currently studying for her Master's degree in Weimar, Germany, but she is also a substitute in the Staatskapelle Halle (symphony orchestra), located in Dresden, Germany.  Coincidentally, the music director of the Staatskapelle Halle, Josep Caballé Domenech, is also Music Director of the Colorado Springs Philharmonic and has been part of the Aspen Music Festival in the past.

"It was so great to do that tour with you," Natalia said about her time with our traveling chorus.  "I did not know some of those composers before and I also never played in that formation of string quartett plus chorale, so it was an amazing experience.

"You guys are such wonderful people, so all the 12 days were one by one memorable. But when we were on our way to Germany and at the last stop, right before the border, you wanted Filip and me to stand up and you sang the Polish national anthem just for us! That just made me love you all!"

 Natalia Helbig and her good friend and fellow violinist, Charlotte Tauber at our good-bye feast.




Cellist Alexander Kress got some special treatment on our bus travels in Poland and into Germany.  Two seats were always reserved for him, and for his cherished 200-year-old cello.  His respect for the instrument and his dedication to his art as a cellist was clearly and immediately apparent when we first heard his gorgeous solo introduction to Ola Gjeilo's Luminous Night of the Soul -- and continued for every accompanied piece throughout the tour. 

Alex is from Leipzig. He started playing cello at age 6. 

"My grandfather played cello as well and I always loved it when he played for me," Alex said.  "That's why I chose the cello and now I m playing the actual instrument of my grandfather."

Alex also spent years playing piano, but it was not his first love as cello is.  He admits "I was lazy at practicing," which we all find hard to believe -- that he would be lazy at anything!  At each stop on the tour, he took his practice pretty seriously.  
 
Alex received his first music education at the Hochschule für Musik und Theater Felix Mendelssohn Bartholdy, Leipzig, which is also where he met the other three members of the quartet.  "It was a great time, being with so many good friends."

These days he works as a freelance musician, playing as a substitute in various orchestras of Saxony and Thuringia.  He also performs solo in many chamber music and orchestra concerts.

Reflecting on his time with the Adornamento Quartett , he said: "It was the first time that we played together in this formation as a quartet. We know each other very well and we studied together in Leipzig. I had often played chamber music together with Charlotte and Filip, but in this formation it was the first time.

"I really enjoyed the time together with all of you," he continued. "It was so friendly and alive. I remember with pleasure our concerts and many great moments, the impressions of the beautiful cities and the good food we had together in Poland. I hope to see all of you again!"


Cellist Alexander Kress (left) and violist Filip Kowalski (right) celebrate a successful tour at our farewell dinner in Leipzig.

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Sunday, June 14, 2015

Chopin, Mendelssohn, Schumann, Bach, (etc) slept here

The cities we visited were homes to many of the world's greatest composers at some point during their lifetimes.  With both Poland and Germany being under Nazi and Russian rule at various points during the 19th and 20th centuries. the revered musicians' works were sometimes forbidden to be performed or even listened to -- a way to eliminate the culture of the past.  True to the power of music, these composers' works could not be buried and live on today.

A walk in Leipzig following "The Liepzig Music Trail" will bring a music lover to the homes or important music venues of composers including Bach, Mendelssohn, Clara Weik Schumann and Robert Schumann, Wagner, Grieg, Schubert, Mahler, Max Reger, Georg Phillip Teleman among others.  Here are a few sites that we had time to visit.

Warsaw, following "The Chopin Way"

In Old Town Warsaw, benches mark spots important in Chopin's years in the City.  The benches tell short stories of the significance of that site to Chopin and also play excerpts of his most recognized pieces.

Chopin's Apartment in Warsaw during his early musical education







 Church of the Holy Cross, where Chopin's heart is buried



Mendelssohn in Leipzig

Mendelssohn held strong musical position in Leipzig in the 1830s and 1840s until his death from a stroke at the young age of 38.  This memorial statue of him (below) is across from Thomaskirche, a fitting location to honor the man who revived an interest in Bach's music throughout Europe.  Because the Mendelssohn family ancestry was Jewish, though Felix's family were baptized in the Christian Reformed Church, Mendelssohn's music lost favor in Germany due to anti-semitism.  However his place in music history is now fully revived, preserved and beloved.  In his years in Leipzig, he not only composed, but he was director of the Leipzig Gewandhaus Orchestra and director of the choir at Thosmaskirche.  He focused on developing and enhancing the musical life of the  city by working with the orchestra, the opera house, and the city's other choral and musical institutions.  He was the founder and first director of the Leipzig Conservatory, now called the the Felix Mendelssohn Bartholdy University of Music and Theatre, where our accompanying string quartet players were educated.

The current statue is a replica of the original which was destroyed by the Nazis in 1936 because of Mendelssohn's Jewish ancestry.  The replica was built and erected on this site in 2008.

Mike's choice of music for our Leipzig concert included Mendelssohn's Jesu Meine Freude, a fitting way to honor the composer in the city where his music and spirit are still very much present.


Mendelssohn and his wife lived in this home, in which he died,  just outside the Market Square of Leipzig.  It is now a museum dedicated to Mendelssohn's music and music activities in Leipzig.

 
Mendelssohn's study

John Spencer, in Mendelssohn Haus, sings along with the tenor part of a Mendelssohn composition accompanied by other voices and instruments  -- though produced electronically.  How music production has changed in the 170 years since Mendelssohn's death!



 A recital hall used by Mendelssohn in his home and still used to this day for traditional Sunday afternoon recitals in the Mendelssohn Haus.

Robert Schumann's favorite Coffee House

Clara Weik Schumann and Robert Schumann also lived, composed and performed in Leipzig, which was the city of Clara's birth. The Schumann home is now mostly a museum and school in honor of Clara Schumann.  After Robert admitted himself into a "mental institution" for the rest of his life, Clara continued composing, performing across Europe as well as raising their 7 children alone.  An impressive accomplishment for a woman in those years.  Even with all of her well-earned fame and respect, she would not have been allowed in the coffee houses of Leipzig -- IF she had the time to go there!

 Robert frequented a local Leipzig coffee house, the Coffee Baum, where he met with other musicians and artists and where he founded the New Journal for Music. The Coffee Baum (Coffee Tree) dates back to 1711 and has operated continuously since that time.  The first floor has dedicated one section to Robert Schumann ("The Schumann Lounge") in which sketches, paintings and photographs on the walls honor the many artists and scholars who visited there including Edvard Grieg, and Richard Wagner -- and several members of our traveling group who lunched there!


Robert Schumann's favorite coffee house, the Coffee Baum
Wilt Cooper from Voices West stops for lunch at the Coffee Baum


" The Schumann Lounge"

Robert Schumann's portrait hangs over his spot at the Coffee Baum




The framed print (above) looks impressive, hanging in the Schumann Lounge of the Coffee Baum.  This writer doesn't know German or what it says.  But it's pretty.

One of our group walked for a very long time trying in vain to find the Schumann house.  Better bring a better map next time!

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Saturday, June 13, 2015

Last Day in Leipzig; final concert and farewell dinner

Saturday, June 13

After spending our morning either relaxing at the hotel or running around to see and hear the things we still hadn't gotten to (an impossible goal!), the Chorale members met at St. Thomas Church to hear a Motet (Motette) featuring the Amici Musicae Choir and Orchestra of Leipzig.  To hear this grand choral music in Bach's church home was an inspiring way to bid farewell to this city and to the tour.


St. Thomas Church (Thomaskirche).


With the voices of Amici Musicae still in our heads, we trekked over to Leipzig's newest Catholic Cathedral,  St. Trinitas, for our final service participation and concert.  After being in the elaborate, mostly Baroque  churches we'd performed in for the past 10 days, St. Trinitas was a complete opposite: a modern, soaring and austere space.  


Tour pianist, and organist, Carolyn Cline, ready to accompany us on organ at St. Trinitas.
Time for a group photo of Larimer Chorale, Voices West, and our fabulous accompanists -- Carolyn Cline and the Adornamento string quartet.

And then, our descent into....
Auerbach's Keller!

Auerbach's Cellar  is the best known and second oldest restaurant and drinking spot in Leipzig, dating to at least the first half of the fifteenth century. It is described in Goethe's play, Faust,  as the first place Mephistopheles ( a demon/devil)  takes Faust on their travels. Goethe lived and went to school in Leipzig and spent many hours at Auerbach's and felt it was a fitting setting for the Faust scenes.  Goethe was familiar with the Faust legend since childhood,  The scene Auerbach’s Cellar in Leipzig in his drama is his literary salute to his student tavern and to the city. 

Many of the same paintings of Faust with the devil still adorn the walls from those days several hundred years ago.  We had a great farewell party with good food, wine and we even sang -- a Happy Birthday to long-time Chorale member Ceil Damshroder.  What a treat for her to have the song sung with rich harmony, loudly with even the restaurant's other patrons joining in!  

A-HA Moment!!!  The space above Auerbachs Cellar is a lovely shopping area.  Very close to the Statue of Faust  is a shoe store selling "Mephisto" shoes!  I'll need to research that one.  Devil shoes?

The devil tempts Faust to join him for drink at Auerbach's Keller. Statue is at the entrance of the restaurant. Our travelers had no trouble giving in to Mephistopheles's call to drink!
Our traveling chorus and supporters celebrate a great tour in Auerbach Keller after the final performance in Leipzig.
 Happy Birthday to Ceil Damschroder! (right)  Had our harmonic version ever sounded to strong?  We had help from other restaurant patrons who joined our own group in that universal wish for a joyous birthday. Ceil would be headed home for the ultimate birthday gift...a new grandbaby due at any time!


















Time for a sweet farewell to the Adornamento Quartett  (from left, Filip, Alex, Charlotte and Natalia) whom we've all grown very fond of and whom we admire to the max! There were so many people lined up to take their photo, it looked like a press conference!

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concert dedication

Tonight's concert is dedicated to the memory of Leigh Anne Dilley's mother.

Thursday, June 11, 2015

Dresden by day; then a Night at the Opera!


It's hard to expect anything but bleakness as you head into Dresden.  The center of this city, the oldest part, was firebombed by the Allies in WW II and nothing was left of it.  It's referred to often in history books, in literature. We picture the horrible destruction and somehow think that maybe time has stood still and we will see the tragedy before us.  But, yet again, we arrived in a city stunningly resurrected into its former glory!

Augustus II (Augustus "The Strong")  was both Elector of Saxony and King of Poland (twice).  He is largely credited with establishing Dresden as a center of the arts and architecture in the late 17th and early 18th Centuries.  At that time, when Dresden became the Capital of Saxony, it was referred to as "Florence on the Elbe," the river on which the city's beautiful baroque landscape is situated.

Dresden as seen from a bridge over the Elbe River

A golden monument to Augustus the Strong, considered the Father of Dresden art and architecture

Our tour guide was obviously bursting with pride and stories about her city, but our time was limited so the tour was short.  And yet we were able to spend time at some of the most monumental buildings and gathering spots before the evening opera we'd be attending.


Storytelling by our guide at the "Zwinger," a group of buildings built originally for ONE party! Now houses museums and theaters. 

Not a bad spot to calm a baby!
Zwinger roof.  All was destroyed in the 1945 bombing and reproduced exactly as it had been.

Clock at the Zwinger surrounded by porcelein bells that still ring on the hour.


Our dinner was in a historical vault under the Zwinger called the Taschenbergpalais, a series of rooms above and below ground where Augustes the Strong entertained the King of Prussia and held other festivities.  The food was Saxon (beef, cabbage, soup, dumplings), the wine and beer plentiful.

Carol Oldemeyer, ready for a Saxon beer

As in Augustus the Strong's time, happiness is food, drink and friends -- and then some music!

Candy Hare, Voices West, gives a Saxon toast.
And now, to the opera!

What a treat to have tickets waiting for us to attend a performance of Johann Strauss's Die Fledermaus at the Semperoper Dresden.  The opera house, named after Gottfried Semper, the architect who designed and built the first opera house on that site, is an excellent example of "Dresden Baroque" architecture. It is in the Theatre Square, on the bank of the Elbe River.  In 1945, in the final months of World War II, the opera house, built in 1870, was largely destroyed by the bombing of Dresden.  Only the exterior shell was left standing. In 1985 the reconstructed opera house was completed, rebuilt to be almost identical to its pre-war appearance.

Our tour group was enchanted, by the surroundings and then by the visual feast of the opera staging, the acting, singing and the orchestra.  But we admit to one big failure on our part:  we should have read the plot before going.  Surprise, surprise, the program was NOT in English! Oh that's right... we were in Germany.

The Semperoper in Dresden after the evening performance
The balconies above us
The Dresden Cathedral, view from Semperoper


Clock above the stage -- 10 more minutes to curtain time!

Jane, Norma, Georgia, Jack, David, Clark and Lani

Ceil Damschroder doing what we were all doing!

Brian and Elaine Gutcher in awe over the ceiling

Mayor of Dresden?  Oh, it's Brian !





Spotted this handsome superstar in the Theater Square.  It's our very own viola player, Filip!!

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